17 Hippies

Alamaailman Vasarat

Alessandro Penezzi Duo

Amjad Ali Khan with Amaan and Ayaan Ali Khan

Ana Moura

Andy Narell & Relator

BlackMahal

Canzoniere Grecanico Salentino

Cedric Watson et Bijou Creole

Cimarrón

De Temps Antan

Deolinda

Diogo Nogueira

Fête de Louisiane!

Feufollet

GlobeSonic Sound System

Hamilton de Holanda

Hector Del Curto Tango

Hermeto Pascoal

Huun Huur Tu

La Bottine Souriante

Le Mystere Des Voix Bulgares

Les Yeux Noirs

Los de Abajo

Los Texmaniacs

Manganiyar Seduction

Melody of China

Paris Combo

Quetzal

Red Baraat

Septeto Nacional de Cuba

Terakaft

Vagabond Opera



Cedric Watson et Bijou Creole CD REVIEW - CEDRIC WATSON

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Offbeat Magazine Online, CD Review - Cedric Watson, 05/01/08 >>

Only a few years after moving to Lafayette from Sealy, Texas, Cedric Watson has become one of the most prolific contributors to Acadiana’s recent outpouring of roots music. Through recent recording projects—his collaboration with accordionist Corey Ledet on Goin’ Down to Louisiana and his work with the highly-acclaimed Pine Leaf Boys—Watson has quickly become one of South Louisiana’s most recognized artists. Though it’s clear in these records that his appreciation and devotion to Creole and Cajun music’s past is strongly influential on his playing style, his distinct presence and creativity is easily noticed in every project. It was only a matter of time before a full and unadulterated Cedric Watson recording came into being, and on this self-titled release the talent and spirit we’ve all come to expect from this young Creole musician shines through.

A healthy sampling of solid and funky Creole-rooted tracks like Boozoo’s “Tee Black” and the original “Ma Chère Grandmère” feature Watson’s strong and grooving accordion work weaving over a killer rhythm section, and his masterful fiddle skills and stirring voice stand out on the Cajun-tinged waltz “Tu Seras avec Moi”. Some of his songs borrow heavily from traditional standards, but instead of sticking to the same old lines, he uses these songs familiar themes like a wide platform on which to let his own sense of experimentation and playfulness to come through.

` Interspersed amongst these traditional-styled tunes are some particularly interesting stand-outs. The rollicking “Zozo Noir” highlights a sliding fiddle hook and sweet-toned guitar ride over a swinging beat reminiscent of shuffling poodle skirts and bobby socks. The arresting Juré “J’ai été tout autour du Pays” reflect his obvious respect for the origins of Acadiana’s cultural music while contributing to engaging rhythm of the album. Watson’s productivity and talent and ability suggest he’ll soon be cutting more gems for us all to enjoy. 

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OTHER PRESS:

Strings Magazine, Cajun Fiddler Cedric Watson is Helping to Preserve Tradition  06/01/11
>> read review >> go to source (web)

Rockpaperscissors website, press collection  03/03/10
>> go to source (web)

Daily Collegian - Penn State, Creole Music Gets Audience Dancing  02/07/11
>> read review >> go to source (web)

New York Times, Voices Newly Amplified by Grammy Nominations  02/04/09
>> read review

NY Times, A World of Fusions: Hot, Cold, and Otherwise  01/11/10
>> read review >> go to source (web)

Sing Out Magazine, CD Review - Cedric Watson  12/01/08
>> read review

BBC - Folk America, Tu Seras Avec Moi - live video from Barbican concert  01/23/09
>> go to source (web)

BBC - Folk America, Interview  01/23/09
>> go to source (web)

Offbeat Magazine - New Orleans, A Very Good Year - Top 20 CDs  01/01/09
>> read review >> go to source (web)

Gambit Weekly - New Orleans, Bowfinger  04/19/05
>> read review
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